|Taking in Aberdeen Harbour Enter the Dragon Style|
I'm writing this latest post at the end of this year's training camp in Chenjiagou with GM Chen Xiaoxing. Our group was sixteen strong, plus a group of Chen Xiaoxing's Chinese students who trained alongside us.
|Mixing it with some of the Ani-Com characters|
Most of our group met in Hong Kong and enjoyed a day off to shake off some of the jet lag before flying on to Chenjiagou. With such a short time in Hong Kong, we joined an organised tour and visited some of the "Fragrant Harbour's" iconic sites - several with links to martial arts culture: we took a sampan around Aberdeen Harbour, a location for countless local films, usually centred around the ongoing battle between the Hong Kong police force and the infamous triads. It has also been a standout location in a few international cinema classics - most notably and memorable being Bruce Lee's Enter the Dragon - where the various fighters boarded a junk bound for the mysterious Mr Han's Island; we also visited the Hong Kong Convention and Exhibition Centre (HKCEC) and the nearby Ani-Com Park. The HKCEC is a major landmark on the Hong Kong Island skyline instantly recognisable to Jackie Chan fans as the setting for the dramatic ending of New Police Story; Ani-Com Park opened earlier this year as Hong Kong's first selfie theme park and features life-sized statues based on 30 classic Hong Kong animation and comic characters including Hero Wah, Andy Chan, Bruce Lee, Old Master Q etc...; Repulse Bay, located in the southern part of Hong Kong Island, and whose name comes from a 19th century battle in which the British army repulsed attacking pirates that infested the area. A colourful Daoist temple flanked by the giant statues of Tin Hau (Goddess of the Sea) and Kwun Yum (Goddess of Mercy). Westerners are always a bit perplexed at the seeming randomness of Daoist temples. Here we were met with colourful mosaic statues of folk deities including the God of Love , the Fish God and the God of Wealth, and creatures like dragons, goldfish and rams.
The next day we flew into Chenjiagou. For the first time trained at Chen Ziqiang's new seven storey accommodation/training facility. At first sight it would be easy to be misled by the facade and entrance - marble floored with four floors of comfortable accommodation. Above, though, hidden from the outside world are three floors of cavernous, spartan training areas. On the few days when it rained and the latest batch of the school's recruits were put through their paces above us, the building seemed to shake as their efforts echoed through the building.
|Top James Lucas, Below Dana Gelatova and Biljana Dusic being corrected|
For ten days we settled into a daily routine of two sessions of two and a half hours with GM Chen Xiaoxing. Each session started with jibengong (basic training) consisting of zhan zhuang (standing pole) and chansigong (reeling silk). Then, a few moves at a time, deepening of the Laojia Yilu routine - referred to in Chenjiagou as the "mother form" or the "gongfu form".
There is a Confucian adage that says "a mirror doesn't lie, it simply tells the truth". It reflects exactly what is before it. Basic training with Chen Xiaoxing is a gruelling and repetitive business. With standing, for instance, he corrects each student in turn, adjusting and leading them into a better structural position - at the same time dramatically increasing the demands on the legs. The lack of adequate leg strength is one of the limiting factors on the ability to "fang song" or loosen the body to the degree required by Chen Taijiquan. Over the course of each session every student would be corrected two or three times before Chen Xiaoxing brought the standing to a close with a clap of his hands after thirty or forty minutes. That's being corrected approximately fifty times over the course of the ten days. Anyone who didn't have a better idea of what to work on when they went home just wasn't paying attention! Reeling silk training involved another half an hour continuously drilling a single movement, trying to remain completely level with the upper body compact and unbroken whilst going through the exercise. After one challenging session Chen Xiaoxing remarked that, "the training my senior students "fear" the most are standing and reeling silk".
Chen Xiaoxing is a great believer in developing a deep foundation through this kind of simple basic training and have little patience for abstract speculation and talk. When one of the Chinese students, rubbing his painful legs after one session of zhan zhuang, asked him, "how will I know when I find the right feeling?" His short, simple yet profound answer, "you know when you know. When you don't know, you don't know".